u-he has released Universal Binary versions of the three Filterscape plug-ins for Mac OS X, bringing Intel-Mac compatibility.
The Filterscape Universal Binaries are free downloads for registered users.
u-he has updated Zebra to v2.1.
New in Version 2.1:
Microtuning fixed.
MIDI Learn works with contextual menus now (less accidental assignments).
More presets.
A new, "phat" filter module called "XMF".
MAGIX has updated Sequoia and Samplitude to v9.02.
Changes:
Optimizations in the fields of performance, display, latency compensation, mixer functions, clipstore, crossfade editor, etc.
MAGIX has updated Sequoia and Samplitude to v9.02.
Changes:
Optimizations in the fields of performance, display, latency compensation, mixer functions, clipstore, crossfade editor, etc.
Access Music has announced version 2.0 of the Operating System for the Virus TI. Version 2.0 for the Virus TI adds Graintable, Formant-based oscillators and enhanced Wavetable synthesis. The new operating system introduces Section Locking for the Virus Control plug-in, searchable patch categories, 25 additional Wavetables and 256 additional signature ROM sounds, an improved user interface, a patch complexity indicator as well as loads of other refinements.
The Graintable oscillators applies techniques as those used in granular sampling and pitch-shifting algorithms to synthesizer Wavetables. It opens up a whole world of new possibilities. Imagine bending any Wavetable far beyond what is sonically possible with common Wavetable synthesizers. It all happens in realtime and of course all parameters can be modulated in realtime as well.
The formant-based oscillators work in a similar fashion, only with one crucial difference: the formants remain fixed as you play. This effectively turns the oscillator into a filterbank on steroids comprising up to 256 resonant bandpass filter poles, whereby the cutoff of each virtual pole is determined by the harmonics in the current Wavetable index.
The existing Wavetable oscillators were also updated. OS2.0 allows PWM-style modulation and the degree of interpolation between the individual waves can be altered. As a result a Wavetable can morph from smooth to coarse to stepped (which makes it sound similar to a wave sequence). It's like turning a nice ambient patch into a dark, gritty sonic monster by only changing one continuously variable parameter.
Virus Control underwent major improvements. There is Section Locking, a new technology by Access Music, enabling the TI to lock specific aspects of a sound from changing. For instance locking everything but the arpeggiator. Now when browsing through the library the sound character will remain unchanged, but the arpeggiator pattern will alter depending on the settings of the selected new patch. All you need to do is to choose what you dislike about a patch and find something better within the TI library.
Two banks of signature patches have been added to the TI's ROM. Brooklyn based breaks and electro wizard Matt Stolley spent most of 2006 working on "10 dirty years" - certainly the darkest collection of Virus sounds so far. On top, Matt Picone supplied a performance bank which is also optimised for the TI.
The patch complexity indicator shows how much resources a certain sound requires.
Virus TI OS2 will be available for free download very soon for all existing Virus TI user from www.virus.info.
Sony has updated Vegas to v7.0d.
Notable Fixes/Changes in Version 7.0d:
Fixed a track-compositing issue introduced in Vegas 7.0c.
Fixed an issue with changing the audio channel in the Trimmer for media that is not in the project.
Fixed a conflict with the Raylight MXF reader.
Fixed a freeze that could occur when using MPEG or AVC media in the Trimmer while Preview on External Monitor was enabled.
Fixed JKL freeze.
Fixed a crash when multi-channel media that is also in the project is added to the Trimmer and played.
Fixed a crash while opening a project that has media that was also in the Trimmer.
Fixed a crash when viewing properties for a surround DVD Camcorder audio event.
Fixed a crash that could occur when recapturing offline XDCAM media or changing XDCAM media outside of Vegas.
East West / Quantum Leap has announced six new virtual instruments, all powered by PLAY, their new 64-bit Advanced Sample Engine with built-in Network Control (see additional news item).
The instruments are (details are below):
Fab Four
Quantum Leap Pianos
Quantum Leap Gypsy
Quantum Leap Ministry Of Rock
Quantum Leap Voices Of Passion
Quantum leap SD2 The Next Generation.
All instruments are expected to ship in March 2007. Fab Four and Gypsy have MSRPs of $395 while the rest have MSRPs of $495 each. They will be available for Windows and Mac OS X Universal Binary in VST, Audio Units, RTAS and stand-alone formats. If you pre-order now you can save 10%.
Fab Four is a virtual instrument inspired by the sounds of the Beatles, using the same kind of instruments and recording equipment the Beatles used to create their music. No expense was spared finding the same kind of equipment the Beatles used to create their sounds to produce this collection.
Well over a million dollars worth of rare period instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube and TG12345 desks), outboard equipment (including Fairchild limiters and EMI RS124 modified Altec compressors), and Studer J-37 tube multi-tracks were used in this production.
Recording:
Engineered by KEN SCOTT (Beatles/David Bowie/Elton John/Supertramp etc.).
Includes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments.
The same kind of microphones were used to record all instruments (Neumann/AKG/Cole/STC).
The same kind of period amplifiers - Vox AC30 (1963), Fender Showman (1967), Fender DeLuxe (1967), Fender Tan Showman (1963), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Bassman (1963) - were used with the electric guitars.
The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record Pink Floyd's "Dark Side of the Moon"), and EMI REDD47 preamps, were used to record all instruments.
The same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control.
The same kind of Studer J-37 tube 4-track was used to record everything.
Instruments:
Guitars (some costing over $200,000 each) played by Laurence Juber (Paul McCartney and Wings) include Gretsch Firebird (1959), Gretsch Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956), Epiphone Casino (1956), Fender Telecaster (1951), Gibson SG (1960), Les Paul Goldtop (1957), Gibson J200 (1966), Hofner Bass (1963) and Rickenbacker Bass (1964).
Guitars were sampled with up and down strokes, multiple velocities and picking styles, some with chords and effects.
Most of the sounds would be impossible to create without all of the above equipment. For example, the "revostortion" guitar sound was created by feeding a Epiphone Casino guitar into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, which is exactly how it was created originally by the EMI/Abbey Road engineers.
Drums played by DENNY SEIWELL (Paul McCartney and Wings) include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (snare 5 x 14/toms 9 x 13/16 x 16/kick 22 x 14/zildjan 20" crash ride/18" crash medium/14" Hi-Hat).
Drums are all multi-sampled with up to 16 velocity layers, left and right hand. The sounds were all matched to a particular style (e.g. A Day in the Drums, Ticket to Drums, Yer Drums). We even recorded some heavily modulated cymbals through a Fairchild limiter for authenticity.
Keyboards include Baldwin Electric Harpsichord (Because I'm a Harpsichord), Clavioline (Baby I'm a Clavioline), Birthday Piano (through VOX Defiant guitar amp), Lucy in the Lowery, Strawberry Flutes, We Can Work a Harmonium, and other stringed instruments including Swarmandel Forever.
Effects:
Includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project.
All instruments are newly recorded multi-samples for this collection, none of the sounds came from any Beatles music or records.
Quantum Leap Pianos is a detailed collection of the world's finest grand pianos, recorded in EastWest Studios with 3 mic positions for each piano.
Pianos:
Bechstein D-280 Concert Grand Piano - close mics engineered by KEN SCOTT (Elton John/Supertramp/David Bowie/Beatles).
Steinway D Concert Grand Piano.
Bösendorfer 290 Concert Grand Piano.
Yamaha C7 Grand Piano.
Quick Facts:
150 Gb of content at 24-bit/44.1k quality.
Sample management system offers 50% more efficiency compared to other piano collections.
Load any piano or mic position.
3 positions are included per piano for maximum flexibility.
10-16 velocities per note (and again in soft pedal, sustain pedal, and soft sustain).
16 velocity staccato on every piano.
Repetition samples taken from 180 BPM performances for a true repetition sound and not simply an alternate take.
Software detects true repetitions.
Resonance - pedal resonance recorded for every note at multiple velocities, as well as with the soft pedal down.
Proprietary resonance captured on the Bösendorfer.
True multi-velocity soft pedal samples with and without sustain pedal.
Release samples with software envelope follower.
Articulations on each piano include:
pedal resonance
staccato
soft pedal
sustain
repetitions
Recorded in a proper piano environment with vintage Neumann microphones, Meitner AD converters and a vintage 8078 Neve console.
Stereo swap possible in software.
Mic position mixing in software.
Lid position simulation.
Articulation matrix for quick and straightforward loading.
Powerful streaming engine with high polyphony counts.
Quantum Leap Gypsy is a collection of detailed virtual instruments capable of playing completely realistic performances. The nylon string guitar, violin and trombone can play in both gypsy and classical styles. The violin and trombone feature many articulations, repetitions and even true legato intervals. All of the guitars were sampled with up and down strokes, many velocities and picking styles, release trails, chords and effects. The accordions feature many different setups, all with air flow in and out samples as well as expressive samples, chords and left hand bass. Gypsy also has a gypsy percussion program and two flamenco dancers foot stomps as well as traditional castanets.
Quick facts:
Approximately 8 Gb.
Solo instruments with unprecedented detail.
Violin (true legato intervals) classical and gypsy style.
Classical Guitar.
Flamenco Guitar.
Django Style Guitar.
Spanish Steel String Guitar.
Campana Accordion.
Silvestri Accordion.
Excelsior Accordion.
Trombone (true legato intervals) classical and gypsy style.
Flamenco Dancer.
Gypsy percussion.
Quantum Leap Ministry Of Rock is a huge 18 Gb collection of Rock Drums, Basses and Guitars recorded in the famous East West Studio 2. It features sounds used in today's music and the entire library was created with one goal in mind: to create a virtual instrument capable of producing sounds that could actually produce a hit record or film score without any live drum, bass or guitar overdubs. Articulations and programming was all reverse engineered from actual performances.
Special Features:
Legato Bass and Guitar Samples.
Legato and Staccato Repetitions.
Playable rhythm guitars and leads, clean and distorted.
Release samples.
Guitars and basses recorded in dual amp configurations and software allows user to choose amp, or mix the sound from both amps.
Dynamic bass that can play everything from ballads to the most hardcore music imaginable.
Round robin bass drums, snares, toms and hats. performance drum hits extracted from live playing.
The world famous studio 2 rock drum sound featured on countless gold records.
Drumkits are also optimized for use with Roland VDrums.
Instruments
Drumkits:
Octaplus (9 Toms).
Ayotte.
Ludwig.
Gretch (the actual kit used to make Metallica's Black record).
Basses (All recorded thru an Ampeg SVT rig and an Ashdown rig):
Fender P-Bass Custom.
Fender 5 String.
Specter and Kubiki basses.
Guitars (All recorded thru Marshall, Fender, Bogner, Vox and Budda amps):
Fender Telecaster.
Fender Stratocaster.
Gibson Les Paul.
Ibanez Universe 7.
PRS guitars.
Quantum Leap Voices Of Passion is a virtual instrument of Female Vocalists from Wales, Syria, India, Bulgaria and America. Ethereal, Passionate, Flowing, Mysterious, Wailing and Whispering vocals for Film, TV and Game composers as well as Songwriters, New Age Artists and Zen Horticulturists. Altos and Sopranos.
Voices Of Passion features five female artists singing vowels, words, morphing vowels, effects, phrases, calls, whispers and breath noises. It features true legato intervals. The Middle Eastern and Indian phrases are presented in a construction kit format allowing users to create very long consistent performances.
Facts:
Approximately 8 Gb of vocals.
Female Vocalists from Wales, Syria, India, Bulgaria and America.
All singers recorded with great attention paid towards pitch.
Oo, oh and ah true legato intervals.
Over 1000 ethnic phrases.
Phrase generator for Welsh vocals.
Expressive samples, non vibrato, delayed vibrato.
Ethereal style, breathy vocals.
New Age vocal performances, staccato and swells.
Quantum Leap SD2 The Next Generation is the sequel to Stormdrum. SD2 The Next Generation is a 10 Gb collection of multi-sampled acoustic percussion instruments. All recorded with vintage Neumann microphones in the famous East West Studio 1.
Instruments:
Tibetan, Indian and Chinese Bells and Gongs.
Indonesian Hand Drums.
Anklung.
Udu.
Chinese Bowl Drums.
5 ft. O Daiko.
Earthquake Ensemble.
Sound Design Percussion.
Devil Chasers.
Whale Drum.
Giant Log Drums.
and the biggest floor tom on earth, specifically built for this project by Remo.
SD2 The Next Generation also features typical drums like congas and bongos.
East west have unveiled PLAY, their new 64-bit Advanced Sample Engine with built-in Network Control that will power all future sound libraries they release (The interface automatically changes to display the current instrument's custom GUI). It, and therefore any sound libraries powered by it, is compatible with Windows XP and Vista (including 64-bit) and Mac OS X Universal Binary and functions as a plug-in - VST, Audio Units and RTAS - and standalone.
The first six new virtual instruments to utilize this technology have also been announced. See additional news item for details.
General features:
Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument.
Designed to be played like an instrument, not programmed like a sampler.
64-bit support (requires Windows Vista 64-bit or Mac OS X Leopard 64-bit version).
64-bit support allows you to load many more instruments and voices, limited only by your system RAM (32-bit support is included also).
While most high-end computers will support 16Gb (8 times as much memory is now usable), a very small set of high-performance enterprise computers (with Microsoft Vista Ultimate) can already use 128Gb of RAM. As hardware develops, the theoretical limit is 17,179,869,184 gigabytes = 16 exabytes, or 17 billion gigabytes.
Networking Support:
Built-in Network Control allows you to load instruments on other machines controlled from your host computer. No more trips back and forth between computers, no more KVM switching when loading projects. No need to buy additional software.
All instruments listed in one browser:
Easy to use browser displays all of your instruments, and allows you to audition other collections before purchase.
Access online server from the PLAY software, audition individual instruments in your track, and purchase the instruments 24/7.
Load and audition other collections, and purchase at any time with an authorization code (or purchase codes from EASTWEST authorized resellers).
Favorites section to group the instruments you use most.
Preview your instrument of choice in an easy-to-use column viewer.
Load instruments into one instance to take advantage of your sequencer's "instrument tracks", or many if you so desire.
Interface automatically changes to display current instrument.
Security system:
Authorize purchased instruments easily, and audition other instruments before purchasing them using the iLok security system.
Offers complete portability, take your plugin anywhere you want, use it on any computer.
Easy to authorize and manage (up to 100 authorizations on one key).
Articulations:
Forget browsing through complicated patch names: pick the instrument and play.
Turn on/off articulations as you wish.
Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts).
Save your favorite configuration for quick retrieval.
Mic Mixer:
Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built-in mic mixer.
Now taken a step further, do it right in the patch.
Load, unload, adjust, pan, mute mic positions as you wish.
Pick your instrument, and PLAY.
Effects Engine:
Powerful effects engine.
SPACE CONTROL includes multiple impulse responses from halls, and the famous EASTWEST studios and live chambers.
Smooth filters.
Specialized effects for individual products includes the first Artificial Double Tracking (ADT) software available (included in the FAB FOUR virtual instrument).
Playback Engine:
High quality resampling engine.
Advanced sample storage and streaming technology saves RAM, speeds up load times, reduces disk load, and saves hard drive space without reducing sample quality.
PLAY back samples at 24-bit or 16-bit.
Built from the ground up to create the most intuitive instruments possible. Allowed us to design instruments every step of the way without compromise.
Support for future developments such as QControl, offering the ultimate in playability without requiring any additional performance tool or MIDI interpreter.
RTAS, AU, VST, Standalone, Intel Mac, PPC Mac, PC (Vista and WinXP), 64-bit, 32-bit, multilingual:
Natively supported in all major hosts on all major operating systems - PLAY no matter what your platform.
Standalone: PLAY as many instruments as your computer can handle in one application.
Speaks your language - PLAY no matter what language you speak (major languages included).
Korg has announced the M3 Music Workstation/Sampler, which represents the third generation of hardware Music Workstations from Korg. It inherits elements from the flagship OASYS, distilled into an affordable music production package with a new tone generator, a wealth of innovations and new sounds.
This new chip-based synthesis system, EDS (Enhanced Definition Synthesis) shares much of the OASYS' HD-1 lineage including low-aliasing oscillators, a powerful new filter topology, detailed envelope generators, plus a Drive parameter and AMS Mixers. All second-generation KARMA functions from the OASYS are included.
256 MB of ROM incorporates the "best-of" OASYS ROM into a new soundset. 512 Programs and 384 Combinations are onboard, with space for 1,664 Programs and 1,792 Combinations. For increased power, the EXB-RADIAS expansion board adds a 24-voice, single timbre version of the MMT synthesizer used by the RADIAS and R3 synths.
The color "TouchView" display doubles as an X/Y pad for controlling synthesis and effects parameters, while changing colors in response to movements. The M3 features the same type of real-time control surface as first featured on OASYS — eight sliders and switches for tweaking internal sounds, mixing tracks, interacting with KARMA, controlling external hardware and more. Eight velocity-sensitive pads can be used to trigger notes, chords and controller messages for a variety of applications.
An all-new Drum Track feature provides user-programmable drum grooves to jam with in Program and Combi modes, integrating with KARMA, or song-writing. Over 500 patterns with a natural sound and feel are included.
A new high-resolution sequencer offers 480 PPQ for natural feel, plus Korg's One-Touch Record, Song Templates, RPPR, Cue List and Tone Adjust part editing. The Open Sampling System allows sampling and resampling in every mode. 64 Mb of sample memory are included standard, expandable to 320 Mb.
The bundled M3 Editor/Librarian software works stand-alone or as a plug-in within host software via USB MIDI. The editor runs as a VST, AU or RTAS plug-in on Windows XP and Mac OS X Universal Binary. Additionally, a new EXB-Firewire option enables the M3 to interface both audio and MIDI with a computer using a single cable.
The M3 is available in 61- and 73-key semi-weighted synth action versions, featuring a newly designed keybed. The 88-key version uses Korg's RH3 graded weighted action keybed. All three models feature after-touch sensitivity.
The M3 series offers a new design concept (Korg Komponent System), for configuration as an expandable instrument. The 73-key version can host both the M3 and the RADIAS·R modules; the 88-key version can hold dual M3 engines or the M3/RADIAS configuration.
The Korg M3 series instruments are expected to start shipping in June 2007 with pricing to be announced.
Way Out Ware has announced KikAxxe, a faithful emulation of the classic ARP Axxe synthesizer—and much more.
Built with Way Out Ware's analog-modeling technology, the KikAxxe brings together the Axxe synthesizer, analog-style 16-step sequencer, a dedicated step-sequenced drum machine and a retro-themed delay/echo effect. Chock full of modern conveniences like presets, MIDI sync and comprehensive MIDI-mapping capabilities, the KikAxxe has all of the features you'd expect.
Vintage ARP Axxe Emulation
KikAxxe is a faithful emulation of the ARP Axxe analog synthesizer that descended from the venerable ARP 2600 in the mid '70s. Play it from a MIDI controller or the integral Sequencer +, an emulation of the ARP step sequencer that contributed to the signature sound of artists like The Who, Depeche Mode, 808 State, Vince Clarke, Jean-Michel Jarre, Billy Currie of Ultravox and Visage, and filmmaker John Carpenter. This combo gives you a powerful tool for creating distinctive synth bass lines. And to enhance lead lines and effects, KikAxxe also includes an emulation of the unique sound of the Echoplex—the original tape delay device that preceded digital delay units.
Drums Included
KikAxxe's Sequencer + also includes a complementary staple from the same era—a drum machine with dedicated step sequencer. With five sample-based drum kits, you'll find the sounds responsible for many hit songs across several decades—and then some. KikAxxe gives you the ability to create great bass and drum backing tracks in a single unit.
Simple Preset Operation or In-depth Programming
KikAxxe ships with a vast array of presets that give you access to the unit's vintage sound—even if you don't know anything about synthesis or programming. From there, it's easy to explore and modify parameters to start customizing the presets to your own tastes. And if you're a synth aficionado, advanced mode gives you access to every authentic parameter. You can even map MIDI controllers on to just about every KikAxxe control for a truly hands-on experience.
Feature summary:
Meticulous emulation of the classic ARP Axxe.
16-step, analog-style sequencer.
Sample-based drum machine with 5 kits and integrated sequencer.
Analog-style delay/echo effect.
Synth and drum machine can be assigned to different MIDI channels.
Comprehensive preset library.
Easy and advanced operation modes.
KikAxxe has an MSRP of $69.95 and will be available for Windows and Mac OS X Universal Binary in VST, AU, RTAS and stand-alone formats.
UltimateSoundBank has announced Beat Inc., a brand new collection of urban loops and sounds, produced by top producers and mastered by "one of the baddest mastering engineers on the planet".
Exclusive new sounds:
The first "HD" Instrument: true 24-bit/192 kHz sounds & engine ("normal" 16bits/44.1kHz versions of the sounds also included in the box).
Exclusively produced for UltimateSoundBank by top producers who have sold millions of records.
Mastered in New York (Sterling Sound) by Chris Gerhinger.
More than 16 Gb of TOTALLY new fresh sounds.
1000+ of fresh new loops including construction kits, drums, kicks and snare, hi-hats, fx...
4000+ of fresh new individual sounds and samples including kick,snare, hi-hats, fx, percussions, bass, synth...
Hundreds of mastered samples of the most famous analog beatbox of all time.
Expand and import:
Expandable with UVI Soundcards.
Import your MPC and ASR sounds.
Import any WAV, AIFF, REX, APPLE LOOPS files.
Edit & sound design:
Drag & Drop from sequencer or desktop to a pad for easy sampling.
Wave Editor with essential editing features.
Sound Design-Shaping tools : envelopes, multi-mode filters, LFOs, pitch...
Each pad/instrument can have up to 4 different FX and 2 Aux Send.
Complete professional effects arsenal, with easy editing: delay, reverb, phaser, flanger, chorus, EQ, drive, distortion, compressor... Also includes a convolution reverb.
Working with grooves:
Integrated step sequencer with Drag and Drop.
MIDI grooves player with Drag and Drop.
Direct sync to host : tempo & transport.
Realtime sync to the beat : loops are always in time.
State-of-the-art realtime time-stretch algorithm.
Latch mode to start/stop loops with a simple keystroke.
Double/Half tempo.
Sample/Slice Start for loops and phrases.
Drag & Drop MIDI files of sliced loops into the sequencer.
Drag & Drop Audio files from stretched or sliced loops into the sequencer's audio tracks.
Import of REX, Apple Loops, Aiff & WAV files.
Beat Inc. will be released for Windows and Mac OS X as a stand alone application and as a virtual instrument software plug-in in VST, Audio Unit, DXi, RTAS and MAS formats. Release schedule and pricing information are not yet available, although audio demos are.
MusicLab has updated RealGuitar to v2.1.3.
Changes:
VST 2.4 support added (VST 2.4 compatible hosts are now supported - Cubase 4+, Live 5.2+ etc.).
Random noising at 96kHz bug fixed.
Mackie has announced the release of Tracktion 3, the next generation of the digital audio and MIDI production software. Tracktion 3 introduces more than 150 new features and improvements, while retaining the hallmark clutter-free, single-screen user interface that made previous versions of Tracktion a success. Tracktion 3 also continues to offer cross-platform compatibility, as well as full support for industry-standard plug-in, virtual instrument and video formats.
Among the enhancements in Tracktion 3 are the addition of time stretching and pitch shifting, two powerful capabilities that round out the functionality of the audio production suite and bring it in line with more expensive pro recording software. Tracktion 3 also boasts a new user-friendly loop browser for quick and inspired music creation. The Tracktion 3 loop browser supports three major loop formats — Apple, ACID and REX — on both Mac OS X and Windows for flexible music-making on any platform.
Tracktion 3 is available in two boxed bundles: the Tracktion 3 Ultimate Bundle and the Tracktion 3 Project Bundle. Both bundles feature the identical core Tracktion 3 application, plus training videos. They also include premium sounds, plug-ins and loops from virtual instrument, effects plug-in and sound library companies — including IK Multimedia, Drumcore, LinPlug, Garritan and Sonic Reality. The Project Bundle provides everything musicians need to get started making professional music. The Ultimate Bundle is a complete production suite, with an additional 5 Gb DVD of content, including more powerful plug-ins and huge sound sets.
Tracktion 3 bundles are available now and have a U.S. MSRP of $319.99 and $129.99 for the Ultimate Bundle and Project Bundle respectively. Owners of qualified versions of Tracktion can upgrade to the Ultimate Bundle for $259.99 via the Tracktion 3 Ultimate Bundle Upgrade.
E-MU Systems has announced the Emulator X2 Platinum Streaming Sampling Synthesizer that offers both 32-bit and native 64-bit applications, multi-processor and multi-threading support, and includes over 20 Gb of sounds – over 5,500 instruments that include everything from vintage keyboards and orchestral instruments to the Hip-Hop and Electronica soundsets of E-MU's hardware modules.
Emulator X2 Platinum features E-MU's Xstream streaming sound engine with up to 192kHz sampling and playback, an arsenal of automated sampling/beat analysis/editing tools and almost unlimited sound manipulation that builds on E-MU's 35 years of synthesis experience.
Emulator X2 Platinum ships with:
32-bit Emulator X2 Application (Windows XP/Vista).
64-bit Emulator X2 Application (Windows x64/Vista).
Over 20 Gb of Sounds.
Xmidi 2x2 USB MIDI Interface.
Emulator X2 Platinum features
Streaming:
Xstream 24-bit/192kHz Streaming Engine, featuring E-MU's patented pitch interpolation and precision 32-bit floating point processing for unmatched sound quality.
32-bit and native 64-bit applications included (32-bit: Windows XP and Vista; 64-bit: Windows x64 and Vista).
Optimized for Multi-core and Multi-Threaded processors to intelligently balance the processing load across all available resources for exceptional performance.
Standalone (64 MIDI Channels) or VSTi (16 MIDI channels per instantiation) operation.
Sampling:
ASAP Automated Sampling and Placement:
Sample, Chop and Place.
Load, Chop and Place.
SynthSwipe automated hardware and software instrument sampling.
Integrated Sample Editor:
Auto-Correlation Looping.
Crossfade Looping.
Comprehensive DSP Tools including Transform Multiply.
External Editor Link.
Beat/Loop Tools:
Beat Analysis and Markup.
TwistaLoop non-destructive audio manipulator.
Xplode beat slicer with MIDI and Tempo Map Export.
Synthesizer:
Advanced Modular Synthesis and FX Engine (from your initial sample's tempo through Emulator X2's entire synthesis and FX architecture, all time-based parameters syncable to BPM clock):
12th Order Z-Plane Morphing Filters (over 50 types) including the Morph Filter Designer.
Multi-Function Generators/Arpeggiators (can be programmed to modulate pitch, filters, volume, retrigger samples or LFOs, change tempo or trigger other events).
Virtual PatchCord Modulation Matrix (over 100 modules).
Integrated Modulation FX engine (23 core effects), including SP12ulator, Tremulator, Reverbs, Delays, and many more.
Over 20GB of sounds (over 5,500 instruments) from E-MU's premier sound library, including:
Platinum 88 and Studio Grand piano libraries.
Vintage X Pro Library – three volumes of classic keyboards and synths (over 10GB).
Every last sample from E-MU's legendary Proteus 2000, Xtreme Lead-1, Mo'Phatt, Planet Earth, and Virtuoso 2000 sound modules and PX-7 Command Station – everything from Hip-Hop and Dance genres to comprehensive orchestral and world instrument collections.
Comprehensive sound format support, including EOS, EIII, GigaSampler, MP3, REX2, .AIFF, SoundFont 2.1, .WAV and more.
Xmidi 2x2 USB MIDI Interface.
Emulator X2 Platinum will ship in late Spring 2007 at an estimated street price of $499.99. A 64-bit upgrade will also be available to all current Emulator X2 owners direct from E-MU for $79.99.
Cakewalk has announced an update to SONAR LE with new features from SONAR 6. SONAR LE provides a music production studio in an OEM offering, giving users what they need to get started creating music on Windows XP, X64, or Vista PCs.
SONAR LE has been made easier and more powerful with user interface enhancements including a redesigned Console View, Synth Rack, and new Track Icons. Integrated VST support removes the need for a VST wrapper/adapter. With x64 support, SONAR LE will natively run on the new generation of 64-bit computers running Windows XP x64 or Windows Vista x64, providing increased performance. Other features include control surface support, 14 included audio effects, powerful instruments, and the capability to record at sample rates of up to 192 kHz. The program also adds support for CueChunk Markers, for importing marker data from wave files created by popular digital field recorders.
The new version of SONAR LE will be available from Cakewalk for OEM bundling in February 2007. SONAR LE will be available as a stand alone application or as part of the Production Plus Pack which includes Project5 LE and Dimension LE.
Cakewalk has announced that SONAR Power Studio will be updated with new SONAR 6.2 features. Cakewalk will begin shipping the updated SONAR Power Studio systems to retail starting April 2007. Customers that purchase SONAR Power Studio 25, 66, 250, and 660 systems after February 1st, 2007 will qualify for a free upgrade to the new SONAR Power Studio software with version 6 features. Starting April 2007, customers can visit www.cakewalk.com to redeem their free upgrade.
Released in April 2006, SONAR Power Studio music production systems offer powerful audio software along with reliable, great sounding audio hardware to form the perfect music production solution. SONAR Power Studio takes minutes to setup, and offers you the same production power found in professional studios—with the freedom to take anywhere.
SONAR Power Studio originally shipped with SONAR 5 Studio Edition software, along with Roland V-Vocal and Amplitube LE. In order to keep current with the latest version of SONAR, which was released in September 2006, Cakewalk has decided to upgrade the software with new SONAR 6 features.
Customers who purchased SONAR Power Studio before February, 2007 will be able to upgrade their SONAR Power Studio software to the latest version for $99/€99/£69. Customers who are only interested in upgrading their Power Studio hardware drivers to add Vista support will be able to download new drivers for free from www.cakewalk.com.
Korg has released the KORG Legacy Collection - Analog Edition 2007 with the major news being the addition of Mono/Poly, the classic Korg analog synthesizer newly reborn as a software instrument.
KORG Legacy Collection - Analog Edition 2007 is available for Windows and Mac OS X Universal Binary in VST, Audio Units and RTAS formats and includes:
Mono/Poly
Polysix v1.2
MS-20 v1.2
Legacy Cell v1.2
MS-20FX v1.2
MDE-X v1.2
Mono/Poly software synthesizer
The classic Mono/Poly provided four oscillators, a resonant filter, dual EGs and Modulation Generators, plus 4-way Synchro and Cross Modulation capability for creating aggressive and signature tonal effects. It also featured the same arpeggiator and Chord memory functions as its sibling, the Polysix.
Along with being a complete reproduction of the original Mono/Poly, this new software version extends the Mono/Poly in significant ways. It features 128-voice polyphony with up to 16-voice unison, 2 integrated multi-effects providing 19 effects and a powerful eight-way virtual patching matrix. The virtual patch functionality lets you use 159 different modulation sources to modulate 35 different destinations, giving you the capability for creating complex and diverse sounds.
Pricing and upgrades
The KORG Legacy Collection - Analog Edition 2007 has an MSRP of $249. The following upgrades and cross-grades are available:
KLC v1.2 and KLC ANALOG EDITION (copy protected via USB key) users can upgrade for $99.
KLC v1.1 and KLC-ANALOG EDITION v1.0 (copy protected with challenge/response code) users who own a Syncrosoft compatible USB key can upgrade to KLC for $114.
KORG Legacy Collection - DIGITAL EDITION users can cross-grade for $199. This special price is only valid through March 31, 2007 (U.S. eastern time).
A demo version of KLC Analog Edition 2007 is available here. This trial version can be used for 10 days without limitation. A Syncrosoft compatible USB key is required.
Cakewalk has announced new versions of SONAR Home Studio and SONAR Home Studio XL.
SONAR Home Studio 6 and SONAR Home Studio 6 XL feature the power of Cakewalk's flagship SONAR 6 paired with a feature set, price, and ease-of-use geared towards home studio owners and budget-conscious musicians.
New Features:
Designed for compatibility with Microsoft Windows Vista.
Core feature set based on SONAR 6.2.
Quick Start guide, Track Presets, Project Templates, and Video Tutorials make getting started easy.
Sleek new interface enhances ease of use and allows customization of views, colors, and toolbars.
New mixing console with per-track Sonitus:fx parametric EQ.
10 new professional audio effects.
Active Controller Technology (ACT) lets users easily control and automate effects, instruments, and their mix from MIDI controllers by automatically remapping controls to whatever has the focus.
Rip from and burn to CD directly from SONAR Home Studio.
Automate tracks, effects, and instruments easily with enhanced automation tools.
MIDI Input Quantize corrects the timing of MIDI performances in real-time.
Freeze tracks, effects, and virtual instruments to conserve CPU power.
Native and fully integrated support for VST plug-ins, no wrapper required.
DropZone sampler with extended library of instrument sounds including a Drum Pack and Bass Pack.
Cakewalk Publisher lets users present and stream their music on the Internet.
SONAR Home Studio 6 introduces Cakewalk Publisher, a new tool that helps users publish and present their music online. Cakewalk Publisher allows SONAR Home Studio customers to create a customized, online, streaming music player with playlists of their music that can then be directly uploaded from SONAR Home Studio to band websites, MySpace pages, and other Internet sites.
SONAR Home Studio XL adds value and more power with a selection of over one gigabyte of instrument sounds, Boost 11 peak limiter, Session Drummer 2 drum instrument, and more.
SONAR Home Studio XL Exclusives:
Boost 11 Peak Limiter — Get more volume and punch from your final mix with this easy to use peak limiter/maximizer. Boost 11 gives you professional results with a simple to use interface.
Dimension LE — A special version of the synth from Cakewalk. Features over 400 sound programs, ranging from real bass, organ and electric piano samples to cutting-edge synth sounds and rhythmic grooves.
Garritan Pocket Orchestra — Expands Dimension LE with more instrument sounds from the leader in orchestral soundware. Add pristine string sections, brass, woodwinds, and orchestral percussion to your compositions.
Session Drummer 2 — Create the perfect drum track for any project. Build a foundation for your song with Session Drummer 2's customizable drum kits. Play drums or trigger built in live-feel patterns from your MIDI controller for ultimate control.
US Pricing and Availability
SONAR Home Studio 6 has an MSRP of $139; SONAR Home Studio 6 XL has an MSRP of $209. Both will be shipping late February, 2007. Registered SONAR Home Studio 4 customers can upgrade to SONAR Home Studio 6 directly through Cakewalk for $49. Other upgrade paths are available, visit www.cakewalk.com for details.
Pricing and Availability Outside the US
SONAR Home Studio 6 and SONAR Home Studio 6 XL ship with English, French, and German printed documentation, and Italian and Spanish electronic Quick Start guides; along with English, French, German, and Spanish software.
SONAR Home Studio 6 is available through Roland and Edirol distribution partners. In Europe, SONAR Home Studio 6 has an MSRP of €105.00 / £71.00 inc. VAT, and SONAR Home Studio 6 XL has an MSRP of €158.00 / £107.00 inc. VAT.
Both will be shipping late February, 2007. Upgrades will be available to registered SONAR Home Studio customers and other Cakewalk customers in Europe direct from Cakewalk.com or in the retail channel starting at €37.00/£25.00.
Steinberg Media Technologies and Yamaha Corporation have announced a new, specially adapted version of the Cubase music production system that is to be included in Yamaha digital music production hardware. Cubase AI4 is based on the latest generation of Cubase and provides close integration between Yamaha hardware and Steinberg software.
Cubase AI4 is a music production workstation that offers audio recording and editing, MIDI sequencing, an entire suite of VST effects plug-ins and a HALion One sample player featuring selected waves from the Yamaha Motif. Users of Cubase AI4 can also upgrade to the full Cubase 4 and Cubase Studio 4 versions.
Advanced integration functions bond the Yamaha hardware and Steinberg software together to form one, integrated system, including Studio Connections technology which recalls settings for Yamaha digital audio hardware with a single mouse click. Integration with the new Motif XS is even more advanced, with automatic VST audio and MIDI connection setup providing a true Plug and Play experience. The full versions of Cubase 4 and Cubase Studio 4 offer these advanced integration features with Yamaha hardware out of the box.
Cubase AI4 feature overview:
Cubase 4 audio engine.
48 audio tracks and up to 64 MIDI tracks.
HALion One software sample player with selected Motif waves.
Plug and Play VST/MIDI setup with new Yamaha products.
Studio Connections Integration and product-specific advanced integration features.
25 VST effect plug-ins, including 15 new VST3 plug-in effects.
File Interchange between Steinberg software and Yamaha hardware.
20 MIDI music styles and 480 audio drum loops included.
IK Multimedia has announced Miroslav Philharmonik Classik Edition, an introductory version of the orchestral plug-in based on the classic Miroslav Orchestra sample collection.
Miroslav Philharmonik Classik Edition is a complete and full-featured orchestral virtual instrument covering solo instruments and ensembles with 250 orchestral sounds spanning the entire orchestra in 1.5GB of samples.
Miroslav Philharmonik CE Features:
16 part multi-timbral sample-based orchestral workstation.
250 sounds totaling 1.5GB of samples.
20 Classic DSP effects.
4 Insert effects instrument.
4 Master effects with separate sends.
High-quality master reverb derived from CSR.
Multiple synth engines including STRETCH and Pitch-Shift/Time-Stretch.
Zone feature for accurate single sample editing.
Full MIDI control of performance parameters.
Part preset and Combi preset customization features.
256 notes polyphony.
Miroslav Philharmonik Classik Edition will be available in February 2007 with an MSRP of $249 / €199 (tax excluded) for Windows and Mac OS X Universal Binary in VST, AU, DX, RTAS and stand-alone formats.
Cakewalk has announced a free update to SONAR 6 which introduces native Windows Vista support, new features, refinements, and more. SONAR 6.2 will be available as a free download for registered SONAR 6 Producer Edition and Studio Edition customers at the end of January.
The SONAR 6.2 update incorporates specific features requested by users, including MIDI input quantize, and further refinements to new technologies introduced in SONAR 6 including Active Controller Technology and AudioSnap. SONAR 6.2 also includes a new Bit Meter VST Plug-in and introduces new X-Ray Windows functionality to enhance workflow. As the first digital audio workstation to natively support Microsoft Windows Vista, SONAR 6.2 supports key new technologies offered by the new operating system including WaveRT driver support for more efficient low latency playback and MMCSS for for higher priority audio processing.
New features, workflow innovations, and enhancements include:
Native Windows Vista support (see below for details).
MIDI Input Quantize: Time-align MIDI input as it is recorded to a track, and hear and see the effect of the quantization as soon as the track is looped or played back. Per-track quantize settings with presets makes recording MIDI parts easier.
X-Ray Windows: Use keyboard shortcuts to temporarily make plug-ins and views in SONAR transparent and immune to mouse and keyboard activity so that you can quickly access and edit the SONAR views and plug-ins below—all without minimizing, moving or closing windows.
Bit Meter VST Plug-in: See the benefits of SONAR's 64-bit audio engine in action. A valuable tool for monitoring the digital activity of your audio stream. View output word length, dynamic range, signal peaks, and more to analyze the quality of your digital signal.
Track View Time Display: Conveniently view the Now time of your project in different time formats from a large display in Track view with control over font size and color.
Field Recorder Support: Import cue markers stored in .WAV files by field recorders such as the Edirol R-4 to SONAR's time ruler.
Friendly MIDI Hardware Port Names: Rename MIDI ports to make them easier to identify.
Import/Export Color Schemes: Easily transfer color settings from one computer to another. Back up your color schemes, or share custom settings with friends. Compatible with future versions of SONAR, letting you keep your settings when you upgrade.
AudioSnap Enhancements: When quantizing audio clips without time stretching, AudioSnap can now automatically fill and crossfade empty space created when quantizing audio clips, resulting in smoother sounding audio. Auto-XFade is also available in the Quantize, Groove Quantize, and Fade Selected Clip commands. Quickly split tracks from a common reference transient. Apply Transient Markers from Pool. Quickly select all user-created markers. More.
ACT (Active Controller Technology) Enhancements: ACT learn button now available in all plug-in windows. Share and back-up ACT mappings. Match and Jump modes for rotaries and sliders. Better support for infinite encoders. Other new ACT enhancements include improvements to the ACT plug-in parameter import function so users can safely import new ACT settings from Cakewalk without losing custom settings they have previously created; Sysx support for buttons; optional MIDI initialization message; and a Cell MIDI Properties dialog.
New ACT Presets: SONAR 6.2 adds dedicated ACT support for popular hardware controllers including Alesis Photon 25, E-MU Xboard25, Edirol PCR 300/500/800 Series (further enhanced, see below), Korg KONTROL49, M-Audio Axiom 49, Phat.Boy
Improved performance and fixes to usability issues that were discovered after SONAR 6.0 was released.
New Edirol PCR Keyboard Controllers with Enhanced Support for ACT
The new Edirol PCR-300, PCR-500, and PCR-800 MIDI keyboard controllers have been optimized to work seamlessly with SONAR. At launch, SONAR communicates with these new Edirol controllers to ensure that the PCR is in the correct mode to work with SONAR. In addition, the new PCR series have dedicated "Dynamic Mapping" buttons, which enable/disable ACT in SONAR. When enabled, SONAR enables ACT and launches the Edirol PCR-300 property page. When disabled, SONAR disables ACT and closes the Edirol PCR-300 property page.
Windows Vista Support
SONAR 6.2 was designed to work with Windows Vista in both 32-bit and 64-bit modes. SONAR 6.2 takes advantage of Vista multimedia innovations with WaveRT driver support for enhanced CPU performance at low latency audio playback settings, MMCSS (Multimedia Class Scheduler Service) support to give important SONAR processes such as the audio engine, prioritized access to CPU resources, and more. On x64-capable PCs running Windows Vista in 64-bit mode, SONAR 6.2 users will also experience benefits which include enhanced CPU performance and access of up to 128 GB of RAM.
TerraTec Producer has unveiled WAVE XTABLE VI, a new Kontakt Player 2 powered virtual instrument in the "Producer" range.
WAVE XTABLE VI offers more than 128 sounds and drumkits for digital music production. Whether pop or concert pianos, smoky organs, booming wind instruments, gentle strings or butter-soft synth pads: all instruments are perfectly balanced and allow the fast and smooth production of modern arrangements, playbacks or song ideas.
The 128 individual sounds, sorted according to the GM assignment, can be played simultaneously via MIDI on 16 channels and are thus suitable for the high-quality playback of GM-, GS- and XG-compatible MIDI-files. Even the patch changes included in many songs, as well as controller commands e.g. for filters, envelopes and even effects (reverb & chorus) are correctly interpreted and reproduced.
Key features:
Software sample library player.
128 sounds & 9 drum kits.
GM compatible.
Integrated effects.
64 times multi-timbral.
Unlimited voices.
AU, VST, DXi, RTAS and Standalone-support.
Easy library handling.
Kontakt 2.1 engine.
As it is powered by Kontakt Player 2 from Native Instruments, WAVEXTABLE VI will be available for Windows and Mac OS X Universal Binary in VST, AU, DX, RTAS and Stand-alone formats. With an MSRP of $149, expect it to be released right after the NAMM Show 2007.
Rob Papen has announced Predator, a new synthesizer that combines "inspiring presets" and "first-class features" with a user interface designed so that almost all controls are visible on screen, making it "fun and easy-to-use".
Predator includes powerful features such as Preset Morphing, Intelligent Preset Variation, MIDI and Synth Controllable FX, Unison Detune, Chord Memory and a versatile Arpeggiator. Preset banks include: Hip Hop (NY, Club, DirtySouth and Gfunk), Jump, hardcore, breakbeat, various trance styles, DnB banks and more...
Predator also includes PredatorFX, allowing you to use the filters, modulations, effects and vocoder as an FX plug-in within your music host.
Predator is expected to be released in February 2007 when it will be available for Windows and Mac OS X Universal Binary in VST (2.4), AU and RTAS plug-in formats with an MSRP of €/$149.
Features:
Oscillators section:
3 Oscillators with 128 waves included Analogue, Additive and Spectral type of waveforms plus pink & white noise generators.
Oscillator waveform Symmetry control for each oscillator.
Free running option for each oscillator and Oscillator Syncing of oscillator 2 or 3 to oscillator 1.
Extended semitone range going from -48 semitones up to +48 semitones.
Separate octave control and fine-tuning.
Keyboard tracking on/off for each oscillator.
Each Oscillator offers Pulse Width Modulation (PWM) using an independent LFO for each oscillator with individual speed and amount controls.
FM and Ring modulation modes for Oscillator 2 and 3.
Each oscillator has a PWM square wave Sub-oscillator.
Spread function for detuned multiple oscillator sound within one Oscillator.
Volume control for each oscillator and output on/off for Oscillator 1 and 2.
Overall Pitch modulation section:
Tempo sync-able global Pitch LFO. You can set the amount and also which wave is used for this LFO.
Pitch bend with separate settings for up and down pitch-bends.
Filter section:
Main filter is an analogue modelled stereo Multimode Filter, offering 6dB LowPass and HighPass, 12dB, 18dB and 24dB LowPass and HighPass, 12dB and 24dB BandPass, 12dB and 24dB Notch and Comb Filter.
Pre-filtering distortion with smooth or edgy mode option.
Easy Filter control by pre-defined Cutoff Frequency modulation controllers: Envelope, Velocity, Key-tracking, LFO and Modulation Wheel.
Build in Filter Envelope with Attack, Decay, Sustain, Fade and Release.
Build in Filter LFO with various waveforms, modulation amount control and tempo sync option with speed settings between 16/1 and 1/32t.
LFO Poly, free or mono mode options.
Filter2 section
Additional Filter with cutoff control offering 6dB, 12dB and 24dB LowPass or HighPass setting.
Amp section:
Build in Amp/Volume Envelope with Attack, Decay, Sustain, Fade and Release.
Volume control.
Velocity> Volume amount.
Panning control.
Free modulation section:
Free Envelopes
2 Envelopes with Attack, Decay Sustain, Fade and Release.
Option to control the Envelopes times using "velocity" or "key played".
Modulation Amount Envelope 1&2 and amount control for Envelope 1.
44 modulation destinations.
Free LFOs
2 LFO's with various waveforms.
Tempo sync option with speed settings between 16/1 and 1/32t.
Poly, free or mono mode options.
Modulation Amount LFO 1&2 and amount control for LFO 1.
44 modulation destinations.
Free Modulation Matrix
4 free modulation routings.
28 modulation sources.
44 modulation destinations.
Secondary modulation source & control.
Play modes section:
Poly / Mono / Mono2 / Legato / Arp / Unison2 / Unison4 / Unsion6 synthesizer play modes.
Portamento featuring constant rate/constant time or held(legato) constant rate/constant time.
Unison detune amount, if Predator is in Unison2, Unison4 or Unsion6 mode.
8 note Chord memory, saved within the preset.
Demo C3 button to preview sounds.
Arpeggiator section:
16 step arpeggiator, which can be used as a step sequencer or as modulation source.
Arpeggiator patterns can be 1-16 steps long.
Speed setting of 1/4, 1/3, 1/2, 2/3, 1, 3/2, 2, 3 and 4x BPM.
Up, down, up/down, down/up, random, ordered, reverse ordered, ordered up/down, ordered down/up, chord and modulation mode.
1-4 octaves settings.
Overall step length.
Swing amount.
Slide amount for sliding steps.
Velocity control knob which mixes between keyboard (MIDI) velocity input and the steps velocity settings.
Each step has on/off, Tie, Slide, Tune, Velocity and Free row.
Tie modes normal or special which allows Slide, Tune, Velocity and Free settings inside a step if that step is set to Tie.
Arpeggiator Latch which can be controlled by the MIDI sustain pedal.
You can load, save, copy, paste and reset arpeggiator patterns, so you can reuse them in different presets.
Advance section:
Adjustable Analogness setting to simulate the instability of vintage analogue synthesizers.
Global Tuning.
Attack Shape. This changes the curvature of Predator's envelopes attack stage. From exponential to linear to logarithmic.
Decay/Release Shape. This Changes the curvature of Predator's envelopes decay and release stages. From exponential to linear to logarithmic.
Velocity Shape. Changes Predator's velocity curvature. From exponential to linear to logarithmic.
Over-sampling mode: Sets the over-sampling from 1x / 2x / 4x / 8x / 16x.
Over-sampling filter on/off: optional post-over-sampling lowpass filter.
Audio input selector >FX or >Filter (PredatorFX only).
Audio input gain control (PredatorFX only).
Synth Amp Hold on/off. Turn off the PredatorFX's Amp envelope and so the sound plays without changing volume. (PredatorFX only).
All advance settings are saved within each individual preset.
External controller hardware (fader-box or synth) settings can be saved and restored.
Overall:
16-voice polyphony.
Parameter read-out field at lower right corner.
Help function for most controls.
FX section:
HQ effects blocks in serial mode.
Available effects: Mono Delay, Stereo Delay, Comb, Reverb, Chorus, Chorus/Delay, Flanger, Phaser, Wah/Delay, Distortion, Low Fi, Amp Simulator with 5 models, Waveshaper, Stereo Widener, Autopan, Gator, Vocoder, FX multi-filter, 5 Band Equalizer, Compressor and Ensemble.
Midi tempo based settings in most effects.
2 FX modulation sources for connecting MIDI or synth controls to FX parameters.
Preset section:
Uses sound banks composed of 128 presets.
Preset handling with copy, paste, clear and compare function.
All settings included the Advance panel settings are stored inside each preset.
Presets are stored in clear categories.
Four 'Preset variation' buttons with amount control of the variation.
Preset morphing with amount control to morph between two presets within the selected bank.
At NAMM, Sonic Reality is introducing the new Ocean Way Drums Kontakt Player 2 based sample library. The brainchild of engineer/producer and studio owner Allen Sides, OWD utilized the world's most extensive collection of vintage microphones to record drums in Ocean Way's renowned Studio B, designed by recording legend Bill Putnam.
Sides' partners in the project are well known engineer/producer and label executive Steven Miller, and Dave Kerzner, CEO of Sonic Reality. The OWD library incorporates legendary studio acoustics and expert engineering with the highly expressive MIDI-controlled I-Map programming in sample formats such as Native Instruments Kontakt 2, all in one collection.
Sides and Miller recorded full drum kits with the finest kick drums, snares, toms, hi hats and cymbals, utilizing a unique multi-microphone recording technique that captures the sound of each instrument with optimum sonic impact and spatial depth. An enormous variety of sounds are instantly available via preset mixes made by these engineers. Additionally, a virtually unlimited sonic palate is available by experimenting with the various stereo sub mixes, control of the pitch, tone and effect processing.
The sampling sessions of Ocean Way Drums utilized a one-of-a-kind custom console built by the studio's original designer Bill Putman. This console in Ocean Way's Studio B delivers "astonishing clarity" with a slew rate exceeding 200 volts per microsecond running on 28 volt rails, and is considered to be the fastest console on the planet. The historic Studio B has hosted sessions with Frank Sinatra, Ray Charles, Green Day, Paul McCartney, Eric Clapton and Radiohead, among countless other ground-breaking artists. It is the home of one of the best sounding live rooms and some of the most sought after vintage gear in the world. Also employed in the sampling session were highly customized classic outboard gear by Neve, API, UREI, and Fairchild along with rare hand-selected vintage tube microphones and special drum kits that have been recorded by top artists on albums at Ocean Way over the years.
Sonic Reality's I-MAP is a proprietary MIDI note mapping/drum kit layout scheme that facilitates improved live performance of drum kits via MIDI keyboard input. I-MAP places drums in their most flexible and intuitive positions, allowing each of the fingers on both hands independent and coordinated control over the loaded kit. With very little practice, it is possible to lay down complete drum tracks in a single take that have an entirely realistic sound and rhythm.
Additionally, special maps have also been made for control with high-end drum pads such as the Roland V-Drums. Many of the performance articulations from I-Map were designed to be triggered with maximum dynamics and alternate randomization for incredible realism and expression when played from top of the line drum pad controllers. Finally, access to the individual mic channel samples is also available for direct drum replacement in DAWs such as ProTools, Nuendo, Logic and more.
Ocean Way Drums is touted as a complete solution for creating the highest quality drum tracks for all styles of music.
More info when we get it.
Ueberschall has announced Liquid Trumpet, a plugin for "real-feel" trumpets. This is the seventh release in the Liquid Instruments Series and it enables you to add authentic trumpet licks, themes and solos to any music production.
All trumpet themes are professionally played with various grooves and flavours, a variety of styles and trumpets (basic, mute and French horn). Ueberschall Liquid Trumpets are loop-based construction kits (480 licks) adding over 1000 add-on licks and phrases (jazz, funk, pop, soul, afro cuban, buena vista, bebop and electronica).
Using the timestretch and pitching possibilities of the Liquid Instruments' engine makes them fit perfectly into music productions. Liquid Trumpets are full 24 bit recordings, 1.5 GB library, 1570 licks for Mac OS X and Windows supporting RTAS, VST, Audio Units and StandAlone.
Liquid Features:
Control audio material as simply as MIDI data.
Change notes within the phrase.
Adapt tempo and key.
Select from a wide range of musical scales.
Control all parameters in realtime.
Pre-screening with adapted pitch and tempo.
Easily generate your individual setup.
High quality Melodyne technology.
Multiple content management.
Edit start and ending.
Quick sound browser.
All parameters MIDI controllable.
Save audio of original and modified loops.
Export to MIDI.
Sync to host.
Great bandwidth of styles.
Highest quality recording equipment.
Liquid Trumpet has an MSRP of $199.95.
Arturia has announced its first Hardware synthesizer: Origin.
Origin is a modular system loaded with modules extracted from Moog Modular, ARP 2600, CS-80, Minimoog and Prophet VS (for now) - you can combine these modules to create your own synth. It uses two Analog Devices TigerSHARC DSP processors that have more audio power than the newest multi core PC processors, apparently.
Origin is not a simple Hardware synthesizer, it is an integrated system offering the best out of the Hardware and Software Worlds: Origin can be used as stand alone to play live on stage and also as a plug-in within your sequencer in the studio environment.
Origin takes the concept of the analog modular systems of the past to a new level using cutting edge digital technology. Pick the oscillators from the Prophet VS, the filters from the Minimoog and the Bode shifter from the Moog Modular V to create your own synth. But, while you can design synthesizers that have never existed before, Origin also lets you open existing templates that can be a Minimoog, a CS-80, a Moog Modular or an ARP 2600.
The Multi mode lets you play up to 4 synthesizers at the same time. You can layer them, split a keyboard or use Origin as a source for 4 different tracks in your sequencer. In addition, the Macro mode allows you to control the 4 synths at the same time, making Origin one single instrument.
Main Features:
Create your own patch or use an existing audio structure: an Origin patch made by connecting independent modules, or the minimoog V, the ARP 2600, the CS-80, the Moog Modular.
Up to 32 voices of polyphony for a typical patch.
More than 500 presets created by talented musicians and synthesizer specialists.
TAE engine. 24 bits/96 kHz supported.
Compatibility with most of the presets from the Arturia classic virtual analog synthesizers.
Origin lets you open dedicated software on your computer and use it as an AU or VST plug-in. All the sounds are calculated on the machine while you work on your computer, as you would do with a native application. Mac OS X and Windows supported.
Analog: 2 audio ins, 10 audio outs. Digital: SPDIF out, USB 2.0.
Large selection of effects: Phaser, Chorus, Delay, FX Reverbs, Distortion, Param Eq, Compressor, Bitcrusher, etc.
16/32 step sequencer.
Innovative Macro, Advanced LFO, Advanced modulation modes, Advanced Joystick modes.
MIDI: In, Out, Thru or USB 2.
Origin is expected to be released in September 2007 and it will have an MSRP of $2999 / €2299.
Arturia has announced the Jupiter-8V, the software recreation of Roland's famous Jupiter-8 which was in production from 1981 to 1984. The Jupiter-8 was a synth that not only inspired a generation of musicians ranging from Prince to Howard Jones, from Depeche Mode to Moby, it was also a unique machine that offered a sharp and crystalline sound while being uniquely phat.
With the Jupiter-8V Arturia brings this magic back. Based on the latest version of TAE - Arturia's proprietary technology for analog emulation - the Jupiter-8V offers a new generation of features: The integration of effects within the synthesis line allows for drastic modifications of the original sound; with Galaxy, a graphical tool made to program two LFOs at the same time, you get a unique and innovative source of modulation; and with the modulation sequencer you can create new evolving sounds extremely easily.
The Jupiter-8V includes more than 400 presets made by a selection of top musicians. Fully compatible with the main protocols and systems in the industry, it can be used as stand-alone software or as a virtual instrument.
Main Features:
Up to 32 voices of polyphony, and a Unison mode.
A unique audio structure featuring 2 oscillators per voice, 2 LFOs, 2 filters and 2 envelopes.
Keyboard split and layer.
A set of Analog and Digital Effects available within the synthesis line: Bit Crusher, Chorus, Distortion, Param Eq, Phaser, Ring Mod.
2 Digital Effects to be chosen among Chorus, Delay and Phaser, and to be placed on the output of the synth.
Additional Live-oriented Step-sequencer, additional Galaxy module for advanced modulations.
Set to Control with your external MIDI keyboard in just a few clicks.
New Preset Manager.
Jupiter-8V is expected to be released in March 2007 and it will have an MSRP of $249 / €199. It will be available for Windows (2000 and XP) and Mac OS X (10.3.9 or higher) Universal Binary in VST, Audio Units, RTAS and Stand-alone formats.
Ueberschall has updated the Mac OS X version of the Elastik Instruments Series Loop Player to v1.5.1.0.
Fixed bugs:
"bounce modified" now uses correct sample rate.
Toontrack has unveiled EZplayer Free, a MIDI bridge, organizer and wrapper between different drum sampler formats.
EZplayer Free is the MIDI browser from Toontrack's dfh EZdrummer and it showcases the MIDI handling capabilities of EZdrummer and lets you add, catalogue, audition and use your MIDI files with your favorite drum sampler. It is also the first step towards EZplayer, which will be unveiled and released later in the spring and will boast much extended functionality for performers as well as composers. EZplayer will be available through all Toontrack Music distributors. Exact release dates and pricing are as yet unavailable.
EZplayer Free:
Showcases the EZ MIDI handling as used in EZdrummer.
Organizes and converts MIDI files to the mapping of all the major acoustic drum samplers available on the market.
Ensures current and future dfh Superior users can access MIDI content and functionality.
Gives users the capability to add their own MIDI into the EZplayer browser.
Is compatible with the MIDI libraries shipping with EZdrummer's EZXs expansion packs.
Supports drag and drop capabilities into all major hosts.
Gives the user the ability to import and use MIDI in EZplayer Free from any of the drum sampler formats supported by the software.
Contains a number of free MIDI files.
Both EZplayer Free and EZplayer will be available for Windows and Mac OS X (Universal Binary) in VST, AU and RTAS formats. For more info on what EZplayer does, and is, check out the EZplayer Q&A.
EZplayer Free will be released to all registering and registered Toontrack customers in the coming weeks.
Cakewalk has officially announced the upcoming features for Project5 v2.5.
New Features:
Active Controller Technology (ACT).
Control surface support.
Multiple audio input/output support.
Integrated VST hosting without need for adapter.
Pre- and post- effect sends.
Input Quantize.
Integrated MIDI output.
3rd-party audio editor support.
Improved automation.
Independent track sizing.
User interface enhancements.
Dimension Pro LE (with REX support).
Microsoft Windows Vista compatibility.
Cakewalk has been taking an even more active role with the Project5 community by establishing a development blog which keeps users up-to-date on the newest features and their implementation. With this blog, customers can speak directly to the developers working on Project5, and participation is highly encouraged. Work is underway on a new Project5.com website and Cakewalk is committed to another free update later this year.
Project5 Version 2.5 will be available as a free download to registered Project5 Version 2.x customers in April 2007.
Celemony has announced version 3.2 of Melodyne studio and cre8, which offer new playback algorithms as well as various minor improvements and bug fixes. The updates will be available free of charge to registered users of Melodyne cre8/studio 3 from the beginning of March onwards.
The extended algorithm for polyphonic and rhythmic material in Melodyne studio 3.2 offers adjustable formant correction, which, on the one hand, makes highly natural, acoustically neutral, transposition now possible even with multi-voice signals such as pianos, guitars and choirs, as well as, on the other hand, opening up interesting and rewarding sound design possibilities when working with drum loops and percussive material. Meanwhile, Melodyne cre8 3.2 has been equipped with a new algorithm for percussive material that offers enormous improvements in terms of sound compared to its predecessors.
Among the other new features of Melodyne cre8/studio 3.2 are the combined scroll/zoom beams that were introduced by Melodyne plugin, an alternative grey colour scheme for the user interface, various improvements in the display and handling of percussive material, and a more user-friendly implementation of the copy protection.
The updates to Melodyne cre8/studio 3.2 are available free of charge to all registered 3.x customers and will be ready for download from www.celemony.com from the beginning of March onwards. Melodyne cre8 for Windows XP and Mac OS X costs €319 ($369), whilst the large Melodyne studio edition, with its additional algorithms for polyphonic material, costs €699 ($699).
New Titles in the Melodyne Sound Library: "the voice 1 & 2"
Celemony has also announced the release of two new Melodyne Sound Libraries for the multi-track editions of Melodyne: cre8 and studio. The two DVDs, "the voice vol. 1" and "the voice vol. 2", offer first-class choral phrases with which the voicing, tonality, phrasing and tempo of each voice can be edited individually. The DVDs are available immediately and cost €139 ($159) each.
Vol. 1 of this collection contains phrases with lyrics such as "listen to the groove", "keep me movin' on", "liftin' me higher", "party everybody", "you make me wanna dance", "universal love", "feel so high", "when will you stop playing" and many more. In vol. 2, the choir sings non-verbal lines, from the straightforward to the way-out, and from simple "Ah"s, "Oh"s and "Schupdhuah"s to complex vocal arrangements.
Each of the two "the voice" titles in the Melodyne Sound Library contains more than 3 gigabytes of phrases recorded by renowned studio singers. No effects or dynamic processing were applied to the samples during recording to leave users maximum freedom during post production.
AudioRealism has released Bass Line 2 and announced the renaming of AudioRealism Bass Line Pro to AudioRealism Semi Modular (ASM).
Amongst the new features in Bass Line 2 the most important thing is the sound:
The bass is improved for less muddiness.
The filter has been improved to incorporate subtle nonlinear effects for additional squelch.
The distortion unit has been improved with less aliasing.
The controls have been calibrated to better match the response of the original.
New features:
Pattern analyzer with Audio detection: The pattern analyzer is a tool for editing and analyzing patterns. It can create patterns using audio files as a source.
Improved filter emulation: The filter has been improved so as to include the nonlinear behavior of the original. This gives additional 'squelch' in fast sweeps.
Accent ducking: On the original 303 it will take the envelope a while to 'warm up' after an accent. When the accent knob is fully counter clockwise this can be perceived as a ducking envelope. This feature is now included in ABL2.
Pattern library: The pattern library menu allows easy access to your favorite patterns. It also possible to load several patterns in one go by selecting multiple patterns from the Load Pattern dialog.
Two new 3D skins included.
Other improved features:
MIDI Learn function now displays all mapped CCs.
Load multiple patterns at once.
Preferences dialog for easier setup.
Pattern section buttons are now MIDI assignable.
ABL2 imports the following file formats: RBS, PH and PAT.
PNG support for easier user skinning.
ABL2 still costs €95 (+ VAT if applicable). ABL1 users can upgrade for €25. All users that ordered ABL after October 1st, 2006 will receive the upgrade for free.
Native Instruments has released demo versions of the KORE software for Mac OS X and Windows. Two versions are available: KORE Demo (60 MB) or KORE & FM8, MASSIVE and ABSYNTH 4 Demos (450 MB) (recommended, if you don't own theses products).
KORE Demo functionality / limitations:
Complete function range.
Includes a small amount of KoreSounds from the vast KoreSound Library.
Session runs for 30 minutes only.
Includes full manual.
Save and Total Recall functions disabled.
Nucleus SoundLab has released Alpha Construct, a free collection of 64 patches for u-he's Zebra 2.
Alpha Construct was conceived and designed by Jeremy Janzen during Zebra 2's alpha testing. This was before many of the more advanced features were added to Zebra 2. The end result are some low-CPU, bread & butter and experimental patches which make the most of what was available in the alpha version of Zebra2: Comb Filters are heavily used, as are internal Oscillator FX.
Details:
64 free patches for Zebra 2.
Covers Pads, Leads, FX and more.
Saved in .h2p format (compatible with both Windows and Macintosh).
Nils Liberg has updated KScript Editor for Kontakt 2 to v1.20.
Changes:
New Tabbed interface for editing multiple scripts at the same time.
Tascam has updated GVI (Giga Virtual Instrument) to v3.54.
Changes:
GSI Expansion Preference: A check box has been added to the GVI System Configuration window in the General tab that when checked, forces stacked instruments to open in an expanded view state. Without this box checked, stacked instruments will open in a collapsed view state.
Previously, when hosted in Pro Tools as an RTAS plug-in, GVI would not run at the correct rate in non 44.1k sessions. This has been corrected in 3.54.
Version 3.53 incorrectly showed “3.52” in the About GVI window. Version 3.54 correctly shows “3.54”.
Native Instruments has updated Bandstand to v1.0.2 which now offers Universal Binary support / Intel-Mac compatibility.
This is a free update for Windows and Mac OS X PPC users. For installation on a Intel-based Macintosh computer, a Universal Binary license code can be purchased for $29 / €25 in the NI Online Shop. Customers who first registered Bandstand after September 12th, 2006, are eligible for a free Universal Binary license code.
Changes:
Compatibility with Intel-based Macs.
New NI Service Center for update activation included.
Various graphical improvements.
Various bug fixes.
VirSyn has released version 3.2 of TERA which is now a Universal Binary / Intel-Mac compatible on Mac OS X. Beside the support for Intel based Macs, some improvements and bug fixes are also included.
New:
Universal Binaries for Intel-based Macs.
VST 2.4 compatibility.
New voice allocation gives about 30 % performance improvement.
Sample key / loop range imported on sample load.
Bug fixes:
Ableton Live 6: fixed crash on loading VST version.
Cubase 4: Mouse pointer offset fixed.
Pattern selection with MIDI notes works now in plugin versions too.
MIDI out: Note offs sometimes not sent.
FM switch on OSC1 .. OSC3: weird behaviour on preset load fixed.
RTAS/ProTools: internal Sequencer/Arpeggiator working now.
Sequencer: Highlighting current measure working now for all parts.
Multi-segment envelopes: some rare editing problems fixed.
Sample engine: occasional crashes on stereo samples fixed.
MAC only: some broken FM routings like self FM working now.
MAC only: Tempo was not editable in standalone version.
Arpeggiator works now also with the internal keyboard.
Drag & Drop patterns in sequencer does no longer interrupt sequence play.
This upgrade is free of charge for all registered users of TERA 3. The update for miniTERA will follow soon.
Native Instruments has updated Akoustik Piano to v1.1.2.
The following bugs have been fixed:
EXPORT: Preset saves out samples.
HOST: Live6 - "failed to initialize".
HOST: AU does not show up.
INSTALLER: Library is not correctly updated.
IO: Changing outputs in routing is not saved.
Image Line Software has announced the imminent release of FL Studio 7. In version 7, particular emphasis has been given to improved workflow through enhanced interface design, so that ideas can be crystallized and creativity captured.
Key new features and changes:
FL now supports track-based sequencing. Pattern Clips present sequence data in the method as Audio and Automation Clips.
Edison replaces the Wave Editor - Edison is a fully integrated audio editing and recording tool complete with spectral analysis, convolution reverb + more.
Love Philter - is a bank of 8 ganged filter units for total flexibility and creative filtering mayhem.
Parametric EQ2 - introduces a mastering parametric EQ with spectral analysis.
Event Automation can now be converted to Automation clips.
Updated audio stretching engine for FL Studio & FL plugins (where applicable).
Multi-core safe generators can now be threaded for performance gain on multi-core CPUs.
Smoother audio 'record to disk' performance with high track-counts.
Note OFF velocity support for the Piano roll, MIDI files, MIDI out & Sytrus.
'Smart Disable' mode for generator plugins, previously was effects only.
A 'News Panel', to keep users updated with content and patches.
Plugin windows can now be detached from the FL Studio desktop.
DirectWave sampler now loads AIFF samples & includes a VST preset loader in auto sampler function.
Sytrus gains multi-level 'Undo' a 'Cherry' phaser filter, 256 unit Harmonics editor (up from 128), automatable unison panning, volume and pitch.
FPC acquires wave start/end point selection. SFZ export and loads AIFF, MP3 and REX files.
Mono source recording. Mono ASIO inputs now handled by the mixer IN list.
New user-definable keyboard velocity curve mapping in MIDI setup.
Support for Apple Loops AIFF extensions.
FL Studio will be officially released at upcoming NAMM Show, 18-21 January 2007 at the Anaheim Convention Centre, Anaheim, CA, USA (Image Line Software will be co-exhibiting with Music Marketing in Hall A, booth# 6828). FL Studio will be available in the store around mid-February 2007.
FL Studio is available in 4 different editions
FL Studio Express Edition: Download: $49 | Boxed: N/A.
FL Studio Fruityloops Edition: Download: $99 | Boxed: $139 SRP.
FL Studio Producer Edition: Download: $149 | Boxed: $209 SRP.
FL Studio XXL Edition: Download: $361| Boxed: $449 SRP.
Beginning at 12 PM, Thursday, January 4 we will be opening Free Character Moves for a number of realms. The destination realms will be newly opened with character creation disabled for the period of free transfers. These transfers will run until 11PM, Tuesday, January 9. Click here for more information.
Audiofile Engineering has updated Sample Manager to v3.0.1.
Changes:
Preferences>Output>Playback Latency Compensation.
Workflows>Add Workflow will add the current workflow to the User Workflow Library.
Enhanced the "Process with Audio Unit" action.
Retain tail maximum.
Latency compensation.
Given number of channels to convert to.
Added more creators to the Set Creator action.
Choose external audio file editor (Open In...).
Will remember the last editor chosen.
Improved reading of damaged files.
Improved Smart Group updating after process or undo.
Fixed entering text in some actions.
Fixed a bug in the Remove Labels action.
Fixed a glitch with the Save Workflow... menu item when the Workflows drawer was open.
Fixed a bug in Rename with Tokens using tokens that were numbers.
Fixed a potential bug where the name of file would be empty on a corrupted file.
Potentially fixed a bug cutting off a short end of a file after an iZotope SRC conversion.
Fixed a bug reading ACID file info.
Fixed a bug converting AIFF/WAVE split file formats to interleaved files.
LinPlug has updated Organ 3 to v3.0.1.
Changes:
Fixed Envelope Attack incorrect sometimes.
Fixed Hold Pedal incorrect in Layer mode.
Fixed Pedal Manual display not updated when played polyphonic.
Fixed CPU peaks with certain combinations of effects.
Reduced CPU load when no notes are played.
Applied Acoustics Systems has released new versions of Lounge Lizard EP-3, Ultra Analog VA-1, String Studio VS-1, Lounge Lizard Session and Ultra Analog Session as part of a Windows and Mac OS X "Technology Update" which brings support for the new Intel-based Mac systems, includes brand new Pro Tools RTAS plug-ins for both Windows and Mac OS X, a handful of new features and several bug fixes.
Included in the Technology Update:
Intel-based Mac systems support—Universal Binary.
New RTAS plug-ins for both Windows and Mac OS X.
New total recall of 128-program bank in any host sequencer.
Full MIDI Program Change support.
MIDI Pitch Bend and Channel Pressure (mono aftertouch) messages support in MIDI Links.
Redesigned Edit MIDI Links dialog.
Omni MIDI channel.
New restore factory preset library command.
New Chord mode in arpeggiator (Ultra Analog VA-1, String Studio VS-1).
Improved Latch mode in arpeggiator (Ultra Analog VA-1, String Studio VS-1).
Bug fixes (see below).
The Technology Update for each product is available now from the AAS Online Store for $29. Modeling Collection users can update all their Professional Series instruments for $49 (includes the upcoming Tassman 4 Technology Update).
Users who made their purchase and registered their instrument after September 1st of 2006, fall in the grace period and can obtain their update free of charge.
Tassman 4 Technology Update: The Technology Update for Tassman 4 with Intel-based Mac systems support (Universal Binary), RTAS plug-ins for both Windows and Mac OS X, and additional enhancements will be available later in 2007.
Bug Fixes
Lounge Lizard EP-3:
Fixed volume build-up on repeated notes when sustain pedal was depressed.
Removed damper noise when sustain pedal was depressed.
Fixed Audio Unit plug-in crash in Live.
Ultra Analog VA-1 and String Studio VS-1:
Fixed dropped notes on certain situation.
Fixed arpeggiator range.
Fixed arpeggiator synchronisation.
All plug-ins include the following changes:
Fixed Digital Performer crash.
Fixed occasional Audio Unit validation failure in Logic Pro.
Tascam has updated GVI (Giga Virtual Instrument) to v3.53.
Changes:
The cause of rare cases of GVI instability on dual core systems at high polyphonies has been fixed in 3.53.
Previously, GVI could become unstable if switching GigaPulse encoded instrument presets while audio was being played. This has been fixed in 3.53.
Patch changes in Steinberg hosts are now reflected in the GVI UI.
In GVI 3.52 the Unload All and Unload Unused functions in the Loaded Instruments Viewer did not work. This has been fixed in 3.53.
This version has also been tested on Windows XP 64 systems and found to be compatible.
reFX has released version 1.6.1 of Vanguard, which is now a Universal Binary / Intel-Mac compatible on Mac OS X.
Changes in v1.6
Sound:
Oscillator age (age) sets the virtual age of the oscillators. The older they get, the more unstable the frequency. Use sparingly for a more analog feel.
A small bug in the wavetable-player of the oscillators has been fixed. This bug switched to the wrong wavetables in the upper-octaves, which lead to a slightly uncleaner sound.
The setup-page has a new option called “output exciter”. This exciter has always been enabled in previous versions, but has now been made optional for a smoother overall sound.
Convenience:
Use the right mouse-button in empty areas to open the context-menu which has two new features. The first is “Init preset” or “Init bank”. The second is a sub-menu which allows you to set the “lightness” of the background groups.
The “edit”-button has been removed. The result is that Vanguard is now always in edit-mode. The amount of work required to make re-sizing of the window work with VST 2.4 on OSX and as AU, etc. was simply not worth the result anymore, especially considering the number of hosts which couldn't be coerced into re-sizing the window at all.
General:
Vanguard is now a VST 2.4 plugin, and is also available as a Universal-Binary (OSX).
Fixes in v1.6.1:
Works with Logic 5.5.1 PC again. The previous version didn't support the process() function anymore.
The knobs/dials couldn't be used anymore in the OSX-AU-version.
The preset-format in projects wasn't compatible between Intel and non-Intel platforms. The new algorithm detects this now automatically and fixes this, even for projects started with 1.6.0.
reFX has released a demo version of Nexus for Windows and Mac OS X (the download contains both). The full version has just been updated to v1.0.9 too.
Demo limitations:
After 5 minutes volume fades out / in.
After 15 minutes Nexus quits (you have to restart it).
You cannot save patches.
You cannot render audio.
Settings are not saved with your song.
Reduced library (a good mixture between file size and quality).
No skin import / expansion import.
Magix has released a demo version of Samplitude v9.01. It has the following limitations:
Recording time limit is 1 minute.
CD Burning is not possible (Simulation is allowed).
VIP length maximum is 3 minutes.
Destructive effect processing is not possible (but realtime preview is allowed).
There's no realtime room simulation except the realtime preview for offline processing.
Saving and exporting is not allowed.
Score printing is limited to one page.
The MAGIX plugins like Amphibia and Variverb have some limitations.
